Why We Love A White Blouse

Dark haired girl sitting on a stool wearing white blouse and faded blue jeans

The timeless elegance of a wardrobe staple

The attraction of the white blouse is not just a fleeting trend; it’s a sartorial constant that has weathered the passing of time, through centuries, societal shifts, and fashion fads. From its humble beginnings in the Renaissance as a men’s undergarment to the iconic symbol of the ‘White Blouse Revolution’ in the late 19th and early 20th centuries, this versatile garment has become a timeless wardrobe essential.

Renaissance man holding a wine glass aloft wearing a white undershirt with green silk shirt and red robe
Photo by Europeana on Unsplash

The white blouse, initially introduced during the Renaissance, underwent various transformations. The 1700s saw the addition of ruffles and detachable stiffened neckbands, and by 1896, Brooks Brothers popularised button-down shirt collars in the USA. This style, borrowed from English polo players, was eventually embraced by women in the 1950s and has since remained a classic.

1783 Portrait of Marie Antoinette in white chemise
1783 Portrait of Marie Antoinette in white chemise

It is said that the first emergence of this wardrobe staple for women was in the 1783 portrait of Marie Antoinette wearing a white chemise painted by Elizabeth Vignee-Le Brun which caused quite a stir as the queen was depicted in a plain white garment, which was the equivalent of underclothes at that time. Although not a shirt as such, the garment was a white cotton dress, made from an inexpensive fabric usually reserved for peasants, the polar opposite of the fine silks and lace more worthy of a queen.

To see the queen depicted as such caused quite a scandal — the painting is said to have been portraying the lady as a ‘tramp’. Despite this, it was seen as a fashion lead, as royalty often is, and resulted in white cotton clothing being demanded by the masses.

The white blouse continued to evolve, gaining popularity in the late 19th Century, as women ventured into new employment opportunities, shunning traditional domestic service for cleaner and more respectable jobs.

The 1870 Education Act in Britain led to a major change in the levels of literacy and the latter years of the 19th Century, resulted in women undertaking new types of employment, particularly young women. This opened up new avenues to working women being a clerk or a secretary, working in the new department stores which were springing up rather than the single most common type of employment being domestic service.

This new choice of work was seen as more respectable. It was cleaner and the pay and conditions were often better which gave it a strong appeal. This resulted in an expansion of the service economy in Britain and is often referred to as ‘The White Blouse Revolution’. In Britain in 1881, 6,420 women were employed as clerks increasing to 124,843 by 1911 giving rise to the term ‘The White Blouse Revoloution’ due to their uniform dress of a white blouse, long skirt and buttoned boots.

No doubt the woman’s experience of domestic work and making their clothes afforded them dexterity at the typewriter in these new roles as in the late nineteenth century the word typist had come to refer to a woman. Professional women at this time had to be particularly well-groomed and dressed — their white blouses needed to be laundered and collars starched. The white blouse at the time was easier to buy than to make and a ready-to-wear garment was very welcome to a busy professional woman however the quality was questioned. Once laundered, ready-to-wear blouses became corse and the garment lost its shape compared to a good garment made at home which would retain its shape and quality for many years.

The Edwardian era and the onset of World War I further transformed the white blouse, aligning it with the image of the competent, well-groomed professional woman. 

Professional women were doubtless grateful for the convenience of a ready-made garment however, the convenience of ready-made blouses came at a cost. The demand for large quantities of ready-made blouses created a ‘sweatshop’ environment. The seamstress’ life was laborious with long days and harsh targets to meet but was a preferred choice from the hardship of domestic service.

A broad range of garments was made from fine work on Japanese silk to less involved Alpaca blouses. The daily production requirement could range from 1 a day to 6 a day and employees were paid by ‘piecework’ however some were paid by the hour but had to work extremely hard for that pay and most were earning under the living wage. Some entrepreneurial women made blouses for private customers, mostly teachers, and freed themselves from the hard sweatshop environment.

Hollywood played a significant role in elevating the white blouse’s popularity with iconic figures like Katherine Hepburn and Lauren Bacall showcasing it on and off-screen.

Actor Diane Keaton in ‘Annie Hall’ wearing white shirt, tie and black waistcoat
Diane Keaton in ‘Annie Hall’ courtesy of Shutterstock

The 1977 film “Annie Hall” solidified the white blouse’s status as a fashion statement, epitomised by the relaxed look of a white shirt, waistcoat, tie, and chinos.

So, why do we continue to love the white blouse?

It’s an easy choice:
A white blouse is a versatile option that effortlessly transitions from the office to an evening out or a casual weekend meet-up. Its adaptability makes it a go-to choice for any occasion.

It works for anyone:
Well almost. It caters to most fashion personalities but choosing the right style for you is crucial. Whether you lean towards classic, gamine, romantic, ingenue, or natural styles, there’s a white blouse that suits your unique taste.

Close up of neckline of textured white blouse with hand inside neckline resting on shoulder.
A ‘natural’ relaxed white blouse. Photo by Max Ducourneau on Unsplash
‘Classic’ style white blouse. Photo by Laura Chouette on Unsplash

It Goes with Every Colour:
While a bright white blouse complements ‘winter’ tones, softer whites or pale naturals are perfect for ‘spring,’ ‘summer,’ and ‘autumn’ colour personalities. It seamlessly pairs with various colours, elevating your entire outfit.

A Canvas for Statement Pieces:
The white blouse serves as a neutral canvas, allowing statement accessories to shine. Whether it’s a necklace, bracelet, watch, or scarf, the white blouse provides the perfect backdrop for showcasing your style.

Girl wearing open neck shirt. Leather choker with metal feather charms.
Relaxed look showcasing the necklace. Photo by Muhammet SAIN on Unsplash

In summary, the white blouse isn’t just a piece of clothing; it’s a symbol of enduring elegance and adaptability. As you embrace this timeless garment, choose styles and pairings that align with your unique fashion personality. The white blouse isn’t a one-size-fits-all; it’s an invitation to express your style in a myriad of ways.

Published by Elaine Flook

I spent around 20 years working in design management and corporate branding. I cut my teeth as a Publicity Executive for a UK TV company in the 80s and progressed through design agencies to Global Head of Branding & Corporate Identity for a major international investment bank. A chronic health condition led me to complementary health and to become a practitioner. After another 21 years working as a therapist/coach to business people I pursued a long-held dream and graduated from The London School of Make-Up and The British College of Professional Styling. Funny how it can take a lifetime to find out what you really want to do. I'm reminded of Baz Lhurmann "Some of the most interesting 40 year-olds I know, still don't'. 2019 and the Pandemic led me again to a reassessment of what I want to do and how I want to work led me to pursue my interests and seems to have brought me right back around to design, bringing my 21 years of building confidence in people along with me. I enjoy design from all aspects but particularly its key purpose - functionality. I've always had a natural eye for colour and design running alongside a love of clothes. I wouldn't say 'fashion' per se. Fashion is fun and enjoyable but I've never been a fashion addict. I enjoy trends and do follow some but I am more interested in craftsmanship and the development of individual style for myself and others. I enjoy sewing. Being a seamstress is a great way of understanding how clothing is constructed, especially reverse engineering it by taking something apart to alter it or just to see how it is made. Men’s tailoring, women’s clothing and couture has long been a passion of mine. I am fascinated by how we can change our appearance by a single, simple gesture and how we are perceived by how we dress and present ourselves. Confidence can be built or crushed by what we wear and either elevate or destroy style. I love the synergy between the art and science of creating style. I'm loving working with people to create their own personal style and have a passion for dressing sustainably.

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